9 March 2025
With rates of domestic and family violence rising exponentially, and with increasingly deadly consequences, this expert panel examines the crisis that governments acknowledge but seem powerless to prevent.
Date | Time |
Sunday 9 March 2025 | 4:30pm |
Ticket | Price |
Standard | $35 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
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9am, Wednesday 15 January 2025
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9am, Thursday 16 January 2025
Wheelchair accessible:
There are a number of wheelchair and companion seating locations in our theatres. To book accessible seating contact Box Office:
Telephone
+61 2 9250 7777
(Monday to Friday, 9am-5pm AEST)
Email bookings@sydneyoperahouse.com
Auslan Interpreted
Auslan interpretation service is provided for audiences who are deaf and use Australian Sign Language (Auslan). Experienced Auslan interpreters stand to the side of the stage and translate what the speakers are saying into Auslan. A block of seats is reserved for users of this service to ensure a good view of the interpreter and the stage. To be seated in this area, please approach Front of House when entering the venue. Book now
Closed Captions
Captions are text descriptions that display the session's dialogue, identify speakers, and describe other relevant sounds that are otherwise inaccessible to people who are deaf or have hearing loss. Captions will be available via your personal device (phone), to access the captions on your personal device (phone), scan the QR Code on the sign displayed at the entry to the venue.
Find out more about accessibility at Sydney Opera House
Run time
This talk runs for approximately 75 minutes.
Event duration is a guide only and may be subject to change.
Age
Recommended for ages 15+.
Annabel CrabbI am a feminist because it bothers me that a woman gets killed by her male partner every single week, and somehow that doesn't qualify as a tools-down national crisis.
Useful information:
The great Australian crisis no one knows how to stop
Australia is in the midst of what the Prime Minister designated a ‘national crisis’ of violence against women. Violence is increasing with new forms of abuse such as those enabled by technology, now able to terrorise women and children by stalking, surveilling and harassing - from tracking devices in children’s toys to threatening messages embedded in bank transfers - without the abuser even being present.
After decades of decline, rates of partner homicide have soared in the past two years and increasingly family members other than intimate partners are murdering women. This includes white women, migrant and refugee women, disabled women and queer women, with First Nations women at greatest risk.
Our panellists share their specific expertise, each with horrifying personal stories and chilling professional observations, to examine how and why the danger is rising for Australian women and what we need to do about it.
Presented by Sydney Opera House
Livestream this event
Can't make it to All About Women in person? Watch this talk live streamed from the Opera House stage directly to your living room.
Zahra Al Hilaly (she/her)
Zahra is a human rights defender committed to addressing gender inequality within religious and culturally diverse communities. Leading policy and campaigns at the National Association for the Prevention of Child Abuse and Neglect (NAPCAN), Zahra drives transformative initiatives like National Child Protection Week, mobilising grassroots communities nation-wide to prevent child maltreatment.
A proud daughter of Palestinian and Iraqi refugees, Zahra brings over eight years of experience working with refugee communities to advance their rights, safety and inclusion. Zahra is an Australian lawyer and storyteller whose work in peacebuilding and gender equality has been spotlighted by Vogue Australia, Gucci America, Al Jazeera and others. In 2024, she earned a place on Forbes Asia-Pacific's 30 Under 30 list.
Rosie Batty (she/her)
When her 11-year-old son Luke tragically lost his life at the hands of his father, Rosie Batty was catapulted into the media spotlight. With fierce determination and incredible courage, Rosie channeled her grief into a tireless and inspirational crusade against domestic violence, becoming a powerful catalyst for systemic change.
From being named Australian of the Year to receiving the Pride of Australia National Courage Medal and the prestigious Order of Australia, Rosie's accolades speak volumes about the indelible mark she has made.
But perhaps Rosie's most enduring legacy lies in her innate ability to inspire others. By sharing her own journey of healing and resilience, she has empowered countless others to find hope in the face of adversity.
Kyllie Cripps (she/her)
Professor Kyllie Cripps is a Palawa woman and Director of Monash University’s Indigenous Studies Centre. A leading expert on Indigenous family violence, sexual assault and child abuse, she is a Chief Investigator and Workstream Lead in the ARC Centre for Excellence for the Elimination of Violence Against Women. Her research focuses on understanding violence through an Indigenous lens, examining contributing factors and assessing service accessibility for survivors.
With an interdisciplinary approach and an intersectional perspective, Kyllie collaborates with scholars across various fields to develop sustainable solutions and drive policy and practice change. Her work has been pivotal in identifying gaps in services and creating opportunities for community-led solutions to be supported.
Kyllie is passionate about creating safe spaces for communities to address often-silenced issues, working closely with them to identify areas for change and developing strategies and resources that can activate that change. She builds networks that connect communities and organisations, empowering them with resources, support and opportunities for collective action.
Jess Hill (she/her)
Jess Hill has become one of Australia's most recognised and respected thinkers on gendered violence. In addition to her broadcast work - two highly acclaimed docu-series on SBS, a Quarterly Essay titled The Reckoning and a podcast series on coercive control titled The Trap - she has spoken at over 300 events to diverse audiences across the country. Her work has received multiple awards, including two Walkley Awards, an Amnesty International Award and the Stella Prize in 2020. In 2023, she was named the Marie Claire Changemaker of the Year and is currently a finalist for the NSW Premier’s Women Excellence award.
Julie Inman Grant (she/her)
Julie Inman Grant is currently Australia’s eSafety Commissioner, leading the world’s first government agency dedicated to online safety. Appointed in 2017, she expanded the agency’s regulatory mandate under the Online Safety Act, addressing child exploitation material and launching initiatives like Safety by Design, Women in the Spotlight and the eSafety Youth Council.
With a background in public policy and corporate affairs, Julie’s career includes roles in the US Congress, Microsoft, Twitter and Adobe. She co-founded the Global Online Safety Regulators Network and actively contributes to several global boards. Recognised as one of the top 150 women in cybersecurity for three consecutive years, Julie champions digital safety worldwide.
Jamila Rizvi (she/her)
moderator
Jamila Rizvi is a diversity, equity and inclusion expert, sought after public speaker, as well as a best-selling author and broadcaster. Jamila is Deputy Managing Director at FW, a company that champions gender equity in Australian workplaces through professional development, community and advocacy. A published author for adults and children, she is also a columnist for The Age and The Sydney Morning Herald and host of several podcasts. Jamila is a brain tumour survivor and ambassador for the Royal Melbourne Hospital Neuroscience Foundation. She lives and works on Wurundjeri country in Naarm.
Plan your visit
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
The Lasting Harm
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Global headlines about Jeffrey Epstein and Ghislaine Maxwell often focus on the criminality of these two perpetrators. Now Lucia Osborne-Crowley, an Australian journalist grounded by her own lived experience of survival, reveals the powerful, lesser-known stories of courage of the women they victimised.
They Still Take the Children Away
9 Mar 2025
Hear the call to action from one of Australia’s most powerful voices advocating for human rights as Vanessa Turnbull-Roberts exposes the injustice inside systems that claim to protect First Nations children.
All About Women Dinner
9 Mar 2025
Continue the conversation after All About Women with a three-course dinner curated by one of Australia’s acclaimed female chefs, Danielle Alvarez.