First Nations at the Sydney Opera House
Celebrating the richness of the world’s oldest living cultures
The Opera House stands on Bennelong Point, known to the traditional custodians, the Gadigal, as Tubowgule. The Opera House continues this legacy today by embracing and celebrating the culture of First Peoples.
Welcome to Country
A Welcome To Country is a customary greeting that Aboriginal or Torres Strait Island people extend to visitors, who in turn agree to respect traditional laws and culture.
Upcoming performances, shows and events
Badu Gili: Celestial
Watch the sails illuminate with Badu Gili: Celestial, a new projection celebrating the work and stories of two female First Nations artists from Australia and New Zealand, created in collaboration between the Opera House, Biennale of Sydney and the Fondation Cartier pour l’art contemporain.
Horizon
From Bangarra Dance Theatre comes a brand-new work: Horizon. It’s the place where sea meets sky, the horizon we all look to, the compass that guides us home.
WINHANGANHA
WINHANGANHA is a lyrical journey of archival footage and sound, poetry and original composition, told through the lens of acclaimed Wiradjuri artist, Jazz Money.
Waru
Ages 3+ | In Bangarra’s first dedicated work for children, join our heroine Migi as she undertakes a journey of discovery and survival.
Find out more about Sydney Opera House First Nations programming
Stream, read & listen
Michael Nelson Jagamara
For those fortunate enough to meet him, he embodied the qualities of the quintessential bush gentleman. Dressed in his jacket and distinctive Akubra hat, he exuded a dignified presence, often sharing humorous anecdotes and stories. Whether in Papunya or New York, Alice Springs or Brisbane, Sydney or Vienna, Jagamara often struck up conversations with new friends and passers-by alike, introducing himself with a warm smile and a handshake, announcing, “Hello, I'm a famous artist!”
Eternal History
Since its opening in 1973 the Opera House has carried a deeper legacy, one that embraces, challenges and celebrates Australian culture.
But what of Australia’s First Peoples and First Nations culture? How does a cultural institution like the Opera House celebrate First Nations work, or more specifically works for the stage? Has it always done so?
Liza-Mare Syron traces the history of First Nations theatre at the Sydney Opera House back to the buildings very first days.
Deadly Voices from the House
A podcast that takes intimate interviews with First Nations artists and leaders to the world.
Acclaimed presenter, journalist, actor, producer and arts guru Rhoda Roberts AO presents Deadly Voices from the House, recorded live from Sydney Opera House. Featuring a diverse selection of guest appearances from prominent First Nations leaders from the music, arts and culture sector. Deadly Voices from the House provides an important platform to discuss critical issues and explore the vibrancy and diversity of contemporary culture.
A Possum Story
Michael Jagamara was born into and revelled in a time of great change and opportunities. Following the end of World War II, abstract expressionism had arrived in the Australian art world and Sidney Nolan completed his Ned Kelly series. Also in that year, in the north part of Western Australia, in an amazingly unread, event, at least 800 Aboriginal pastoral workers walked off the job and began one of the longest industrial strikes in Australian history.
Badu Gili’s Frances Belle Parker
We talk to Frances Belle Parker, one of the five Badu Gili artists, about her work, her motivation and how she’s used the Opera House’s sails as a blank canvas.
Deborah Mailman on Rhoda Roberts’ “remarkable” 16 years at the Sydney Opera House
Few people have had as much influence on what takes place in these hallowed halls as Rhoda Roberts. This month, she finishes her incredible stint at the Opera House. We spoke to actress and Trustee Deborah Mailman about Robert's everlasting impact.
Music for... Love by Budjerah
Teen R&B sensation Budjerah has themed his playlist around love, and all the daydreaming and sweet talking that comes with a budding romance. Listen in, then tune in to his exclusive Opera House show for Liminal.
Why NAIDOC matters
We ask some of our Opera House family – performers and artists who take centre stage during this week of celebration – to discuss this year's NAIDOC theme and to unpack why the week matters to them.
Ensemble Offspring | Composing Songlines
Celebrating the unique music which has been created by First Nations Australian composers in the past 5 years as part of Ngarra-Burria: First Peoples Composers program, this special concert featuring the compact chamber force of Ensemble Offspring places these ancient musical voices reflecting land, nature, history and deep culture at the forefront of living art music in Australia.
Career development opportunities
The Sydney Opera House is committed to providing hands-on experiences to young Aboriginal and Torres Strait Islander students, which can lead to employment opportunities.
For further information about these career opportunities, contactworkexperience@sydneyoperahouse.com.
The best way for students to experience what we do is through our Work Experience Program. Through our partnership with the NSW Department of Education we run a program for Aboriginal and Torres Strait Islander students who are studying in years 9-12. The program is a week long and is offered several times throughout the year. During the week, students are introduced to different staff and departments across the organisation. The program is practical and participants spend time working in up to four different departments to gain first-hand work experience.
After completing our Work Experience Program, students can apply for a paid internship. These internships are currently offered in our Ticketing Sales department and we are always looking to expand the types of intern roles. The internship is based on a 90 hour contract as a Ticketing Sales Representative. The hours of work are designed to fit around the student’s study, and students develop skills in sales and customer service, operating ticketing software and basic computing. We have a growing alumni of interns, many of whom have gained ongoing employment at the Opera House and are now involved in facilitating Work Experience Program activities with students.
Each year the Opera House supplements these two programs with events for Aboriginal and Torres Strait Islander students. Our Careers Day program is one such event where participants get to meet a range of Opera House employees to hear about what they do and stories of their career pathways.
Courtney, Work Experience Program participant, FY17Thank you for giving us the opportunity to be great and learn more about our culture at the Opera House.
Discover Tubowgule
Explore the history of the site where the Opera House stands.
Support
The Opera House is committed to providing educational, professional development and cultural opportunities for First Nations communities. Whether through work experience, curated performances, such as the annual DanceRites festival, or the daily lighting of the sails, the generous contributions of our visitors and friends allows us to create a positive impact in the lives of our communities.
Support the Sydney Opera House by giving a gift and helping to foster and celebrate a shared sense of belonging for all Australians.
Reconciliation Action Plan
The Opera House is committed to respecting, embracing and celebrating the culture of Australia’s First People. Our Reconciliation Action Plan (RAP) outlines this commitment through a range of actions and initiatives that are being undertaken across all areas of the Opera House. These initiatives aim to safeguard the traditions of the world’s oldest living culture, and provide opportunities for Australia’s First People.
Our Reconciliation Action Plan
Learn more about Reconciliation Australia’s RAP program, or access the Share Our Pride tool to help you start your cultural awareness journey.