Cinderella on New Year’s Eve
31 December 2024
In the Joan Sutherland Theatre
Opera
A prince, a ball, a woman in flight. Will they find true love before midnight?
Date | Time |
Tuesday 31 December | 7:45pm |
Single Tickets | Price |
Platinum* | $799 |
Premium | $699 |
A Reserve | $599 |
B Reserve | $499 |
C Reserve | $399 |
D Reserve | $355 |
E Reserve | $299 |
F Reserve | $199 |
Platinum Package Book now | Price |
| $1,797 |
Package add-ons† Book now | Price |
Pre-performance dinner | $499 |
Post-performance Midnight Party | $499 |
*Platinum seats only available as part of the Platinum Package
†Add-ons only available if a ticket to Cinderella NYE has already been purchased; numbers of add-ons can only amount to the same number of Cinderella NYE tickets or less
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
The only authorised ticket agency for this event is Sydney Opera House and Opera Australia. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
10am, Tuesday 16 July, 2024
Become a Sydney Opera House Insider to receive exclusive pre-sale access
What’s On e-newsletter pre-sale
9am, Wednesday 17 July, 2024
General Public tickets on-sale
9am, Tuesday 23 July, 2024
Wheelchair accessible:
There are a number of wheelchair and companion seating locations in our theatres. To book accessible seating contact Box Office:
Telephone
+61 2 9250 7777
(Monday to Friday, 9am-5pm AEST)
Email bookings@sydneyoperahouse.com
Find out more about accessibility at Sydney Opera House.
Content warning
Please note, this production contains a strobe lighting effect in Act 1 and haze effects in Act 3.
Language
Performed in English with English and Simplified Chinese surtitles.
Run time
This performance will run for approximately 1 hour and 50 minutes, including one interval.
Event duration is a guide only and may be subject to change.
Age
Recommended 18+
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Useful information:
Once upon a time…
There’s nowhere in the world like Sydney on New Year’s Eve, and there’s nowhere closer to the action than Sydney Opera House. Dress up to the nines, kick up your heels and leave the crowds behind as you stroll towards the iconic sails.
After New York and London, Laurent Pelly’s lavish staging of Cinderella makes a grand Australian debut on New Year’s Eve.
Massenet’s classic opera has long delighted audiences with its sumptuous music. This production, performed in English, features gorgeous costumes in outrageous shapes and sizes.
Complete your glamorous night out with a three-course, pre-show dinner overlooking the spectacular harbour or tickets to one of Sydney’s most fabulous midnight parties. Don’t miss the ball – and don’t miss a magical countdown to midnight you’ll remember forever!
Please note: While the Northern Foyer of the Joan Sutherland Theatre offers views of both the 9pm and midnight fireworks, some locations will have partial or no views. Views of the Sydney Harbour Bridge are only available from the Northern Foyers and due to capacity limits, unobstructed views of both the Sydney Harbour Bridge and fireworks cannot be guaranteed.
If you choose not to purchase tickets to the Midnight Party, there are a limited number of outdoor viewing areas you’ll be able to access following the performance. Please note that these spaces are limited and cannot be guaranteed.
Presented by Opera Australia in association with Sydney Festival
Cinderella is produced in association with The Royal Opera, Covent Garden, London, Théâtre Royal de la Monnaie, L’Opéra de Lille and Gran Teatre del Liceu. The original production was by the Santa Fe Opera. This production was first seen at the Royal Opera House, London on 5 July 2011.
Abridged English version commissioned by The Metropolitan Opera and premiered at The Metropolitan Opera on December 17, 2021. Performed by arrangement with The Metropolitan Opera, publisher and sole copyright holder.
Artist information
Director & Costume Designer Laurent Pelly
Set Designer Barbara de Limburg
Costume Associate Jean-Jacques Delmotte
Lighting Designer Duane Schuler
Choreographer Laura Scozzi
Rehearsal Director & Choreographer Karine Girard
English Translation Kelley Rourke
Cast
Cinderella Emily Edmonds
Prince Charming Margaret Plummer
Fairy Godmother Emma Matthews
Pandolfe Richard Anderson
Madame De La Haltière Angela Hogan
Noémie Jennifer Black
Dorothée Ashlyn Tymms
The King Shane Lowrencev
Le Surintendant des plaisirs (Master of Ceremonies) Alexander Hargreaves
Dean Of Faculty Iain Henderson
Le Premier Ministre (First Minister) Nathan Lay
Spirits Celeste Lazarenko, Kathryn Williams, Jennifer Bonner, Leah Thomas, Keara Donohoe, Celeste Haworth
Opera Australia Orchestra
Opera Australia Chorus
Season 2025
Opera Australia
Some of Australia’s brightest stars are taking the stage in Opera Australia’s 2025 season.
Dreams, desire and destiny collide in this season of fantasy and fairy tales, heart and humour, music and magic. Plan your year of nights out under the spectacular sails of the Sydney Opera House.
Plan your visit
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. RESALE RESTRICTION APPLIES. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues. Opera Bar, Opera Kitchen and Portside are also available for you to enjoy.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
You may also like
Cinderella
2 Jan – 28 Mar 2025
Feel all the magic of the fairy tale with enchanting music, playful choreography and extravagant costumes in this whimsical production of the classic opera.
La Traviata
23 Jan – 27 Mar 2025
Glamour, riches and a tragic secret: this is the story of a courtesan falling in love. Classic opera with stunning costumes and outstanding music.
Nijinsky
4 – 22 Apr 2025
Acclaimed narrative ballet choreographer John Neumeier examines Nijinsky’s final performance, charting the rise and fall of a creative genius in vivid detail. He recalls his troubled family, his ill-fated romances and the transcendent performances that brought him fame.