The Play That Goes Wrong
19 June - 3 August 2025
In the Drama Theatre
Theatre
Enjoy a side-splitting night out with the longest running comedy in the West End. This Olivier and Tony Award-winning theatre has been entertaining audiences worldwide for over a decade. You all know the classic whodunnit story, there has been a murder at a country manor and an inspector is set on the case to find who the culprit is. However, when this plot is given to the accident-prone thespians at The Cornley Drama Society, everything that can go wrong... does!
With its unique blend of Monty Python absurdity and Sherlock Holmes intrigue, The Play that Goes Wrong continues to tickle audiences. Experience total mayhem and enjoy the perfect slice of escapist comedy, guaranteed to leave you aching with laughter.
Date | Time |
Thursday 19 June 2025 | 7:30pm |
Friday 20 June 2025 | 7:30pm |
Saturday 21 June 2025 | 2pm, 7:30pm |
Sunday 22 June 2025 | 1pm |
Tuesday 24 June 2025 | 7pm |
Wednesday 25 June 2025 | 7:30pm |
Thursday 26 June 2025 | 7:30pm |
Friday 27 June 2025 | 7:30pm |
Saturday 28 June 2025 | 2pm, 7:30pm |
Sunday 29 June 2025 | 1pm, 6:30pm |
Tuesday 1 July 2025 | 7pm |
Wednesday 2 July 2025 | 7:30pm |
Thursday 3 July 2025 | 7:30pm |
Friday 4 July 2025 | 7:30pm |
Saturday 5 July 2025 | 2pm, 7:30pm |
Sunday 6 July 2025 | 1pm, 6:30pm |
Tuesday 8 July 2025 | 7pm |
Wednesday 9 July 2025 | 7:30pm |
Thursday 10 July 2025 | 7:30pm |
Friday 11 July 2025 | 7:30pm |
Saturday 12 July 2025 | 2pm, 7:30pm |
Sunday 13 July 2025 | 1pm, 6:30pm |
Tuesday 15 July 2025 | 7pm |
Wednesday 16 July 2025 | 7:30pm |
Thursday 17 July 2025 | 7:30pm |
Friday 18 July 2025 | 7:30pm |
Saturday 19 July 2025 | 2pm, 7:30pm |
Sunday 20 July 2025 | 1pm, 6:30pm |
Tuesday 22 July 2025 | 7pm* |
Wednesday 23 July 2025 | 7:30pm** |
Thursday 24 July 2025 | 7:30pm |
Friday 25 July 2025 | 7:30pm |
Saturday 26 July 2025 | 2pm, 7:30pm |
Sunday 27 July 2025 | 1pm, 6:30pm |
Tuesday 29 July 2025 | 7pm |
Wednesday 30 July 2025 | 7:30pm |
Thursday 31 July 2025 | 7:30pm |
Friday 1 August 2025 | 7:30pm |
Saturday 2 August 2025 | 2pm, 7:30pm |
Sunday 3 August 2025 | 1pm, 6:30pm |
*Audio Described performance
**Auslan Interpreted performance
Ticket | Standard | Friday & Saturday |
Premium | $119.90 | $129.90 |
A Reserve | $109.90 | $119.90 |
B Reserve | $89 | $99.90 |
$8.95 booking fee applies per transaction
Prices correct at the time of publication and subject to change without notice. Exact prices will be displayed with seat selection.
Young people under the age of 15 must be accompanied at all times.
The only authorised ticket agency for this event is Sydney Opera House. For more information about Authorised Agencies, see the frequently asked questions below.
Sydney Opera House Insiders pre-sale
9am, Tuesday 12 November 2024
Become a Sydney Opera House Insider to receive exclusive pre-sale access
What’s On e-newsletter pre-sale
9am, Wednesday 13 November 2024
General Public tickets on-sale
9am, Friday 15 November 2024
Audio Described performance
Tuesday 22 July 2025, 7:00pm
Audio description is a live commentary for people who are blind or have low vision of the visual elements of a performance which is relayed to the patron via a free headset and receiver linked to the FM radio system. A pre-show Tactile Tour allows hands on access to costumes, props and stage set in order to capture the atmosphere of the work. Book using the Audio Description price type.
Auslan Interpreted performance
Wednesday 23 July 2025, 7:30pm
Experienced Auslan theatre interpreters stand to the side of the stage and translate what the actors are saying or singing into Auslan. A block of seats is reserved for users of this service to ensure a good view of the interpreter and the stage. Book here
Wheelchair accessible:
There are a number of wheelchair and companion seating locations in our theatres. To book accessible seating contact Box Office:
Telephone
+61 2 9250 7777
(Monday to Friday, 9am-5pm AEST)
Email bookings@sydneyoperahouse.com
Find out more about accessibility at Sydney Opera House.
Run time
The performance runs for approximately 2 hours and 5 minutes, including a 20 minute interval.
Event duration is a guide only and may be subject to change.
Age
Recommended for ages 8+
Children aged 15 years and under must be accompanied at all times.
The Opera House is committed to the safety and wellbeing of children that visit or engage with us. Read our Child Safety Policy.
Useful information:
A show where everything that can go wrong….does!
You all know the classic whodunnit story. There has been a murder at a country manor and an inspector is set on the case to find who the culprit is.
When this plot is given to the accident-prone thespians at The Cornley Drama Society, everything that can go wrong… does!
The actors and crew battle against all odds to make it through to their final curtain call. Expect hilarious consequences.
Will you ever discover who murdered Charles Haversham? You’ll have to see for yourself!
Experience total mayhem and enjoy the perfect slice of escapist comedy. This show is guaranteed to leave audiences of all ages in stitches. Get tickets now – it would be WRONG to wait!
Sydney Opera House, GMG Productions and Stoddart Entertainment Group present the Mischief production The Play That Goes Wrong by Henry Lewis, Jonathan Sayer and Henry Shields

Daily MailI feared I was going to hyperventilate.
The TelegraphGenuinely hilarious. Boy, does it hit the funny bone.
The IndependentExquisitely choreographed mayhem.
Meet the cast
Olivia Charalambous graduated from NIDA with a Bachelor of Dramatic Arts (Acting) in 2013. She describes herself as a Creative Hustler.
In 2015, Olivia launched her own online entertainment production company, The OC Project. Projects include: #livforcunningham, #livforeurovision & Livstagram. Most recently, she produced Haus Of Poussay, a sold-out, two-night variety show for the Melbourne Fringe Festival.
Some Acting Credits include: Young Eponine, Les Miserables - 10th Anniversary Production (Cameron Mackintosh); Anna, Spring Awakening (Original Australian Cast - Sydney Theatre Company); Susie and Others (U/S Megan), Puffs (Original Australian Cast - LifeLike Touring/TEG); Swing, The Grinning Man (Salty Theatre/Vass Productions); Jen, One Day In September (Perryman Productions).
Directing Credits: Disney's Camp Rock (Soundworks Productions), Skank Sinatra (Jens Radda/The Butterfly Club), Joel Granger: The Villain Tour (Hayes Theatre Co), Between The Lines JR Pilot (Junior Theatre Festival NZ & Australia), Make 'Em Laugh - The Untold Story Of Donald O'Connor (Mikey Halcrow/Fringeworld Perth), Pursuing Pleasure (Piera Dennerstein/The Round/Midsumma Festival), The Unburderning Of Dolly Diamond (Edinburgh Fringe), Once Upon A One More Time JR Pilot (Junior Theatre Festival Australia), Spring Awakening (Soundworks Productions).

Edmund (Eds) Eramiha, a proud representative of Ngāpuhi, hails from Kaikohe in Northland and grew up in West Auckland. With a deep passion for the arts, music, theatre, screen, physical movement and martial arts, Eds has built a thriving career in the entertainment industry.
He is widely recognised for his leading role in the New Zealand crime series Vegas on TVNZ, which earned him a Best Actor nomination at the New Zealand Television Awards. His recent projects include the upcoming AppleTV series Chief of War, as well as the films The Convert and The Legend of Baron To'a.
On stage, Eramiha is particularly proud of his work with the Pop Up Globe, where he played Puck in A Midsummer Night's Dream and Curio in Twelfth Night, including performances in Te Reo Māori.
Eds holds a Bachelor of Performing Arts from Te Whare Wānanga o Awanuiārangi. He is also trained in Māori weaponry, Muay Thai and kickboxing, with a keen interest in Maurākau, having studied at Te Whare Tu Taua ō Aotearoa and Te Ao Whakaari.
Eramiha is driven by a mission to inspire, share knowledge, and bring Aotearoa's stories to a global audience, ensuring Māori voices are heard and celebrated.
Based in Auckland, Eramiha is also a father to two daughters, Tuihana Eramiha and Manawa.

Tom Hayward is an emerging actor and writer from Te-Whanganui-A-Tara. Growing up all over Aotearoa, Tom has had a passion for storytelling ever since he can remember. In 2023 he completed his bachelor of Creativity, studying acting for stage and screen at Te Auaha.
Since then, Tom has been broadening his skills, acting in short films and performing in shows over the past three NZ fringe festivals. Tom Hayward also performed in the 2023 HATCH showcase for TAHI, the New Zealand Festival of Solo Performance.
Throughout his work, Tom likes to challenge himself by playing a diverse array of grounded yet wild characters. While in his writing, he focuses on heartfelt tales, hidden within worlds of comedic absurdity.

Stephanie is a versatile performer known for her character work and comedic flair.
Recent theatre credits include: Viola in Twelfth Night (Melbourne Shakespeare Company); Queen Angelica in the Australian premiere of The Grinning Man; Pam in 50 Shades! (David Venn Enterprises); Miss Thorn (cover: Judy Denmark) in Ruthless!; Joyce Byers in Stranger Sings; Genevieve Gryffindor in Voldemort and the Teenage Hogwarts (Salty Theatre); and Stephanie Necrophorous in NINE (StageArt).
Other notable theatre credits include ensemble in the Australian premiere of Midnight: The Cinderella Musical (cover: Tiffany, Rosalie and Madame) and Disney's Pinocchio (cover: Ringleader).
Her voiceover work includes narrator Trudie Poodle in the children's 'true' crime podcast adaptation of the popular children's book series The Underdogs, and S.A.M.A.N.T.H.A in the podcast Busy Bodies with Mr Snotbottom (Winner of 'Best Kid's Podcast' 2023 Australian Podcast Awards).
Stephanie is thrilled to be joining the cast of The Play That Goes Wrong and would like to thank her partner, family, friends and agents at lan White Management for their ongoing support!

In 2010, Joe graduated with a Bachelor of Arts (Music Theatre) from the University of Ballarat Arts Academy. The following year, he founded both the electronic duo: GodWolf, and internationally acclaimed comedy group: Aunty Donna (Netflix, ABC).
Joe's recent stage credits include Dr Jim Cairns in The Dismissal (Sydney), Oz & Others in Come From Away (Australian Tour), Shrek in Shrek The Musical (Australian Tour), Dewey Finn in School of Rock the Musical (Australia, New Zealand, China), Errol in the 10th Anniversary Australian tour of Priscilla Queen of the Desert, Barry in High Fidelity (The Hayes) - for which he was nominated for a Sydney Theatre Award for Best Performance in a Supporting Role in a Musical, and lovable antagonist Don in the Australian tour of Kinky Boots.
Previously, Joe played Sergeant Kennedy in NED - A New Australian Musical, and toured nationally in California Dreaming and with The Songs of Ahrens and Flaherty. He also portrayed the role of 'Barrel' in the new Australian musical CrossXroads - and performed in the Melbourne premiere of Matthew Lee Robinson's Sing on Through Tomorrow.
Joe's professional Music Theatre debut was as Hank Majewski in the Australasian tour of Jersey Boys. With GodWolf having enjoyed the success of iTunes, MTV and ARIA charting singles, they have managed to-between musicals - tour Australia extensively over the last decade. Aunty Donna has amassed a cult following, regularly touring Australia and internationally. Joe features in both their Netflix and ABC series' (2020 & 2023 respectively).

Jonathan Martin is a New Zealand actor who has worked extensively throughout New Zealand and Australia.
His theatrical credits encompass a wide range of roles in both classic and contemporary plays. Some favourites include: The Seagull, Romeo and Juliet, The Sunshine Boys, In The Next Room (or The Vibrator Play), The History Boys, Arsenic and Old Lace, North By Northwest, Twelfth Night, Don't Mention Casablanca, Once on Chunuk Bair and Shepherd.
His repertoire includes comedic performances in shows like Something Rotten! and One Man, Two Guvnors and more dramatic roles in productions such as Henry V and The Merchant of Venice. The latter he performed on the Transtasman Pop-up Globe stage as well as A Midsummer Night’s Dream, As You Like It and, most notably, Twelfth Night (as Malvolio).
His skills and experience also extend to musical theatre where he's performed in productions such as The Producers, La Cage aux Folles, Cabaret, Guys and Dolls, Into the Woods, I Love You, You're Perfect, Now Change, Jersey Boys, Madagascar the Musical, Avenue Q, A Little Night Music, Little Shop of Horrors and most recently the New Zealand premiere of Baz Luhrmann’s Strictly Ballroom.
Jonathan saw the original production of The Play That Goes Wrong at the Old Red Lion Theatre Pub in east London and remembers it being the funniest couple of hours he'd had in a theatre in a long time, so it's fair to say it's pretty awesome he is now performing in it himself ten years on. He hopes that everything goes right... by which he means wrong!
He is a proud Member of Actors Equity New Zealand and MEAA.

Since graduating with a BFA in Acting from NIDA in 2020, Brodie has appeared in a number of stage productions in Sydney, including Josephine Wants to Dance with Monkey Baa Theatre, tick, tick... BOOM! as Jon at The Old Fitz Theatre, The Last Five Years as Jamie with UNSW MTS, and 35mm: A Musical Exhibition & The Mystery of Edwin Drood with Little Triangle, as well as Turandot and Ernani with Opera Australia.
Before attending NIDA, Brodie completed a Certificate IV in Music Theatre at WAAPA back in his hometown of Perth, where he also appeared in various stage and musical productions, including Closer, The Wizard of Oz, Little Shop of Horrors, A Conversation, and three productions with West Australian Opera.
Brodie is a professional voiceover artist and regularly provides VO for several local and national brands, including the current 'Coffee fit for an Aussie' campaign with McCafe.
Alongside his performance work, Brodie is also a pub quiz host with Fame Trivia and a traffic reporter with the Australian Traffic Network.
He is currently represented by Natalie Hall Management and Scout Management.

The Play That Goes Wrong is Sebastiano's professional theatre debut. Some of his previous theatre credits include the Australian premieres of STOP/OVER (Three Fates Theatre), The Six Guys An Immigrant Trans Person Of Colour Will Date In Melbourne (La Mama and TayoTayo Collective) and BACON (Melbourne Fringe 2023). He has worked as a collaborator in several professional developments for upcoming works. Sebastiano graduated from the Federation University Arts Academy in 2019.

Since graduating from Toi Whakaari: NZ Drama School in 2013, Jack has worked extensively in professional theatre throughout New Zealand. He has acted in over thirty professional productions with many of New Zealand's most prominent theatre companies. Jack has been a key collaborator with A Slightly Isolated Dog since 2016, co-creating and performing in Don Juan, Jekyll & Hyde, Santa Claus, The Odyssey, Trojan War, Safety In Numbers, and Our Own Little Mess. Other stage highlights include Night of the Living Dead, Homos or Everyone In America, Cock, and Peer Gynt [Recycled].
Jack is also a writer and musician, and in 2020 he created the viral music video Family Lockdown Boogie, which earned him international attention and has been viewed over 14 million times. Jack is one of the creative forces behind indie-rock band Cheap Sav For Dead Friends, and he releases his own alternative synth-pop under the name Goblin Problem.

Anthony Craig is a versatile performer and multi-instrumentalist, known for his banjo playing, character work and comic flair. After completing a Musical Theatre degree at the Queensland Conservatorium in 2014, he went on to gain international experience in feature films and on stage.
Recent credits include Elvis: A Musical Revolution (DVE), Once (Darlinghurst Theatre Company), The Grinning Man (Salty Theatre), The Gruffalo's Child (CDP Productions), Into the Woods (Watch This), Ernani (Opera Australia) and feature film Woody Woodpecker Goes to Camp (Universal). He starred in the one-man show Private Peaceful (MLP) and was nominated for 'Best Actor in an Independent Production' at the 2020 Green Room Awards. In 2020, Anthony also created the award-winning children's entertainment group Story Surprise with his wife Lauren. They have the time of their lives producing music, videos and live performances for families all over the world.
Anthony is proudly represented by Ian White Management.

Kira is originally from the USA, where she attended the Orange County School of the Arts and went on to receive her B.F.A. in Theatre Arts from Stephens College. Since graduating, she worked and toured regionally around the United States before moving to New Zealand in 2015. She works regularly as an actor, a choreographer and an intimacy director.
Kira is a proud member of the American Actors' Equity Association and SAG-AFTRA, as well as Equity New Zealand (of which she is the board secretary). She appears as Jane on Power Rangers Dino Fury (Seasons 28 and 29) and Cosmic Fury (Season 30), and as Bec on Kid Sister on TVNZ (Seasons 1 and 2). Her theatre credits include The Girl on the Train, Legally Blonde, Chicago, Something Rotten, and Little Shop of Horrors (The Court Theatre). She also appeared as Ava in the horror film M3GAN.

Plan your visit
Venue information
Our foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
All Sydney Opera House foyers are pram accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators). Pram parking will be available outside the theatres in the Western Foyer.
Getting here
The Sydney Opera House Car Park, operated by Wilson Parking, is open and available to use. Wilson Parking offer discounted parking if you book ahead. Please see the Wilson Parking website for details.
Please check the Transport NSW website for the latest advice and information on travel. You can catch public transport (bus, train, ferry) to Circular Quay and enjoy a six minute walk to the Opera House.
Frequently asked questions
Ticket purchases and collection at our Box Office is discouraged and eTicket or postal delivery methods should be used, wherever possible. However, if you are collecting your tickets from the Box Office, we recommend doing this at least 60 minutes before the event starts. If you have already received your tickets, the venue doors will be open 45 minutes pre-show for Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances. Please take your seats as soon as you arrive.
If you are late, we will seat you as soon as we can and, where possible, in your allocated seat. However, to reduce movement in the venue as well as minimise disruption to the performance and other patrons, ticketholders may be seated in an allocated latecomer’s seat. Please be aware that some events have lock-out periods. In these cases, latecomers will be admitted at a suitable break in the performance. On occasions, this may not be until the interval, or at all where there is no interval.
Details of our right to refuse admission can be found in our General Terms and Conditions for Tickets and Events.
In accordance with our venue security procedures, Opera House security will be scanning and checking bags under the Monumental Stairs, prior to entering the building. Bags will be scanned by an x-ray machine, and staff will wear appropriate personal protective equipment (PPE) when handling your belongings, such as gloves. Cloaking facilities will be open 60 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 60 minutes pre-show for Western Foyer venue performances. However it is strongly encouraged that you travel lightly to minimise contact and queuing. Any bags larger than an A4 piece of paper will need to be checked into the Cloak Room.
The authorised agency for this event is the Sydney Opera House.
Only tickets purchased by authorised agencies should be considered reliable. If you purchase tickets from a non-authorised agency such as Ticketmaster Resale, Viagogo, Ticketbis, eBay, Gumtree, Tickets Australia or any other unauthorised seller, you risk that these tickets are fake, void or have previously been cancelled. Resale restriction applies. For more details, please refer to our General Terms and Conditions for Tickets and Attendance at Events.
Please contact Box Office on +61 2 9250 7777 as soon as possible to advise if you can no longer attend.
Foyers will be open 90 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and two hours pre-show for Western Foyer venue performances. Refreshments will be available for purchase from our theatre bars.
The venue doors will be open 45 minutes pre-show for Concert Hall and Joan Sutherland Theatre performances, and 30 minutes pre-show for Western Foyer venue performances.
Please bring a credit or debit card for any on site purchases to enable contactless payment. You’re welcome to bring your own water bottle but no other food and drinks are permitted inside our venues.
The health, safety and wellbeing of everyone at the Sydney Opera House is our top priority. In line with this commitment, the Opera House became a smoke-free site in January 2022. Read our Smoke-free Environment Policy.
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