
Utzon Room
The Utzon Room was designed by Sydney Opera House architect, Jørn Utzon and faces the harbour to the east through floor-to-ceiling windows. Set against the beautiful backdrop of the Utzon tapestry, elegance, intimacy and impeccable acoustics combine in this small but impressive space.
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Venue information
Seating
The Utzon Room has a capacity for up to 200 people.
Commercial hirers
Information for staging a performance
Functions and events
Information kits
Location and access
The Utzon Room is located on the Eastern side of the Opera House, in front of the Joan Sutherland Theatre. Best accessed through the Box Office Foyer or the Covered Concourse. All Sydney Opera House foyers are accessible, with lifts to the main and western foyers. The public lift to all foyers is accessible from the corridor near the escalators on the Lower Concourse and also in the Western Foyer via the corridor on the Ground Level (at the top of the escalators).

Upcoming events
Echoes by the Water: An Acoustic Night with Matt Gresham
13 Sep 2025
Immerse yourself in a deeply moving acoustic performance by Matt Gresham at the Sydney Opera House. His emotive songs and personal storytelling will resonate profoundly, creating a night you'll never forget. Experience Matt Gresham’s exclusive 2025 performance at the Sydney Opera House. This is his only show of the year, promising a unique, intimate acoustic evening filled with soulful melodies and heartfelt storytelling. Don’t miss this rare opportunity to connect with Matt Gresham in one of the world’s most iconic venues.

Duelling Pianos: Tamara-Anna Cislowska + Andrey Gugnin
17 Sep 2025
Tamara Anna Cislowska and Andrey Gugnin headline this virtuosic concert of two-piano music featuring: original works, transcriptions of popular songs, a toy piano and Barbie.

Pairings & Odd Couples
20 Sep 2025
The Song Company’s Pairings and Odd Couples is a bold exploration of musical contrasts, curated by Guest Director Huw Belling. This eclectic program brings together works from different countries and eras, placing composers in fascinating dialogue. Experience ancient Estonian chant meeting Irish modernism, while the premiere of Belling’s Pru Vir offers a fresh response to Guerrero’s Prudentes Virgines. The program also highlights the timeless versatility and enduring influence of J.S. Bach, creating a transcontinental conversation through time.
